Marching, 2021, oil on wood panel, 36” x 48", (Work in the collection of The Eileen S Kaminsky Family Foundation)
Unconditional, 2020, acrylic and bronze on canvas, 86"x 48"x12"
Lucidity, 2019, Solid cast lead crystal (Corning Museum of Glass Studios), 18"x6"x5.5"
Listen, 2021, oil & bronze on wood panel, 48"x70"x12"
In Pieces, 2021, Cast Bronze in seven components, 9” x 14” x 7” when assembled
Feeling Verdigris, 2021, oil and bronze on canvas, 40” x 30” x 12”
New Chapter, 2022, oil & wax on wood panel, 30"x42"x72"
Reticent, 2021, oil on canvas, 30” x 40”, (Work in the collection of The Eileen S Kaminsky Family Foundation)
Corrupted I. 2020, Bronze and Spalted Maple, 8"x8"x18"
In Pieces, 2021, cast bronze in seven components, 9” x 14” x 7” when assembled
Overthinking, 2021, oil on canvas, 48"x78"
Corrupted II, 2020, Bronze and Spalted Maple, 8"x8"x18"
Split Personality, 2021, oil & wax on panel, 16"x34"
FDA Spoon, 2019, heavy gauge steel with burnt metal patina, 10.5' x 4' x 4'
Marching Green, 2021, oil & wax on panel, 36"x48"
New Chapter (side view), 2022, oil & wax on wood panel, 30"x42"x72"
Corrupted III, 2020, Bronze and Spalted Maple, 8"x8"x18"
Floating Torii Gate, 2022, cedar and stainless steel, 2 ’x 12 ’x 14’
Assailable, 2021, oil and bronze on canvas, 40” x 30” x 12”
Floating Torii Gate, 2018, corten and stainless steel, 2 ’x 12 ’x 14’
“Near the entryway of the building, they planted a massive opioid spoon sculpture, the brainchild of artist-activist Domenic Esposito, branded with the logo of the Food and Drug Administration.”
— Jasmine Weber, Hyperallergic, 2/8/19